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El paciente punto de lo ef​í​mero

by Julian Di Pietro

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1.
Introitus 01:53
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Relevos 01:09
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El retorno 03:33

about

Registro/paisaje sonoro de la procesion de Santa Rosa, en un punto especifico de escucha y grabación.
El pausado caminar de la muchedumbre por una esquina del barrio de San Cristobal, nos cuenta sus pedidos, deseos, anhelos, duelos y pérdidas en un escenario, supuestamente, pospandemico.
La calle cortada, nadie se queja. Hay un momentaneo y efimero consenso de respeto o de afinidad ideologica. Pero la paciencia no es virtud citadina, por lo que poco a poco, sus maquinas-habitantes retoman su rutina, rompiendo gradualmente el tácito acuerdo entre lo ceremonial y lo cotidiano. El único acuerdo es la repetición, de autos, de plegarias, de bocinas y de fe.

El punto escucha una muchedumbre efimera que pasa. Otra mota de polvo acustico.

Sound recording/landscape of the Santa Rosa procession, at a specific listening and recording point.
The slow walking of the crowd in a corner of San Cristobal neighborhood, tells us their prayers, desires, longings, grief and losses in a hopeful post-pandemic scenario.
The street is blocked, no one complains. There is a momentary and ephemeral consensus of respect or ideological affinity.But patience is not a virtue in the city, so little by little, its machines-inhabitants resume their routine, gradually breaking the tacit agreement between the ceremonial and the everyday. The only agreement is repetition, of cars, of prayers, of horns and Faith.

The only agreement is repetition, of cars, of prayers, of horns and Faith.

The point listens to an ephemeral crowd passing by. Another speck of acoustic dust.

credits

released September 1, 2021

Juián Di Pietro: Soundfield Recording, edit and mixing.

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Julian Di Pietro Buenos Aires, Argentina

Composer and sound artist born in La Plata, Argentina. His most recent work is framed in the exploration of spatialities both in sound recording and studio production. He also explores the poetic possibilities of sound programming and improvisation by electronically intervening field recordings. ... more

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